Diana Dors & Tom Tryon Heady Romantic Embrace The Unholy Wife Photograph 1957

Description

ITEM: This is a vintage and original RKO Radio Pictures / Universal Pictures production still photograph of co-stars Diana Dors and Tom Tryon during a smoldering clinch pose, heady moment during a romantic scene from the 1957 crime-drama-thriller film, "The Unholy Wife." Sexy and intoxicating, this is a fantastic piece of Golden Age of Hollywood memorabilia. The press snipe on verso reads:
DIANA DORS and TOM TRYON in a dramatic scene from RKO's "The Unholy Wife," starring Miss Dors and Rod Steiger. John Farrow produced and directed. The film is a Universal-International release.
Diana Dors was England's blonde bombshell, their answer to Marilyn Monroe. Young, blonde, and voluptuous, she was known as "The Siren of Swindon" and "The Hurricane in Mink," thanks to an aggressive publicity campaign by her husband. But despite her popularity with audiences, her roles were limited to bubbly sex comedies or vixens, good time girls, and scheming seductresses in melodramas and crime pictures throughout the 1950s, and was almost as famous for her turbulent private life splashed across the tabloids.
Photograph measures 8" x 10" on a glossy paper stock with linen backing and studio paper caption on verso.
Guaranteed to be 100% vintage and original from Grapefruit Moon Gallery.
More about Diana Dors:
Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother took her to the local movies theaters. The actresses on the screen caught Diana's attention and she said, herself, that from the age of three she wanted to be an actress. She was educated in the finest private schools, much to the chagrin of her father (apparently he thought private education was a waste of money). Physically, Diana grew up fast. At age 12, she looked and acted much older than what she was. Much of this was due to the actresses she studied on the silver screen and Diana trying to emulate them. She wanted nothing more than to go to the United States and Hollywood to have a chance to make her place in film history. After placing well in a local beauty contest, Diana was offered a role in a thespian group (she was 13).
The following year, Diana enrolled at the London Academy of Music and Dramatic Art (LAMDA) to hone her acting skills. She was the youngest in her class. Her first fling at the camera was in Code of Scotland Yard (1947). She did not care that it was a small, uncredited role; she was on film and at age 16, that's all that mattered. That was quickly followed by Dancing with Crime (1947), which consisted of nothing more than a walk-on role. Up until this time, Diana had pretended to be 17 years old (if producers had known her true age, they probably would not have let her test for the role). However, since she looked and acted older, this was no problem. Diana's future dawned bright in 1948, and she appeared in no less than six films. Some were uncredited, but some had some meat to the roles. The best of the lot was the role of Charlotte in the classic Oliver Twist (1948). Throughout the 1950s, she appeared in more films and became more popular in Britain. Diana was a pleasant version of Marilyn Monroe, who had taken the United States by storm. Britain now had its own version.
Diana continued to play sexy sirens and kept seats in British theaters filled. She really came into her own as an actress. She was more than a woman who exuded her sexy side, she was a very fine actress as her films showed. As the 1960s turned into the 1970s, she began to play more mature roles with an effectiveness that was hard to match. Films such as Craze (1974), Swedish Wildcats (1972), The Amorous Milkman (1975) and Three for All (1975) helped fill out her resume. After filming Steaming (1985), Diana was diagnosed with cancer, which was too much for her to overcome. The British were saddened when word came of her death at age 52 on May 4, 1984 in Windsor, Berkshire, England.
- IMDb Mini Biography By: Denny Jackson
More about Tom Tryon:
Born in Hartford, Connecticut, Tom Tryon -- son of clothier Arthur Lane Tryon and not, as was commonly believed -- actor Glenn Tryon -- grew up in Wethersfield, Connecticut. In 1943, he enlisted in the U.S. Navy at age 17 and spent three years as a radio specialist in the South Pacific. After his discharge, he joined the Cape Playhouse in Dennis, Massachusetts. He served as set painter/designer, assistant stage manager, and, later, encouraged, by Gertrude Lawrence and her husband, Richard Aldrich, who managed the theatre, he became an actor. He also graduated from Yale University, with a BFA degree. He made his Broadway debut in 1952 in the musical "Wish You Were Here". He worked in television as a production assistant.
In 1955, he moved to California to try his hand at the movies, and the next year made his film debut in The Scarlet Hour (1956). He made a few more films, but in 1958 he appeared in the part that made him most famous: the title role in the Disney TV series, "Texas John Slaughter" (1958), which made him a household name. He appeared with Marilyn Monroe in her final (and unfinished) film, Something's Got to Give (1962).
Sci-fi fans will remember Tryon in what is now considered one of the more literate (although you couldn't tell by its crackpot title) sci-fi films of the era, I Married a Monster from Outer Space (1958). Tryon worked steadily in television and films during this period. His big break was supposed to be Otto Preminger's The Cardinal (1963), but the film was a flop. His acting career was waning (he wasn't happy with it, anyway), and one day he saw the horror film Rosemary's Baby (1968) in a theater.
It inspired him to write his own horror novel, and, in 1971, ''The Other'' was published and became a best-seller. It was made into a successful movie of the same name The Other (1972)), with Tryon writing and producing. He left acting completely for writing, and became a very successful novelist. In 1978, his book, ''Crowned Heads'', was the basis for the Billy Wilder film, Fedora (1978), and a successful miniseries, The Dark Secret of Harvest Home (1978), with Bette Davis, was made from his novel, ''Harvest Home''. Tryon said that he got much more satisfaction (and made a lot more money) from his writing than he ever did from acting. He died of cancer in 1991, aged 65.
- IMDb Mini Biography By: frankfob2